On Solicited Submissions

One benefit of the MFA followed by the PhD, is that I am slowly but surely amassing contacts. AWP is now an event where I can meet up with old friends, who, theoretically, should all one day be directing programs and will naturally want their old crony, me, as the visiting writer. Well, maybe someday.

I did experience a little brush with schmooze payoff recently when I received the call for my first (insert coronet herald here) solicited submission from a friend who is fiction editor at a lit mag. Finally, a bit of nepotism working in my favor. Of course, when I was first starting out the idea of solicited subs appalled. But when I read for Cutbank I learned how hard it is to find work you are actually excited about. I was nonfiction editor for a year and never came across one publishable piece (aside from the contest we held). I see that the essays in the latest issue are by Montana luminaries William Kittredge and Judy Blunt.

Anyway, I sent a story I wrote while at Montana, my first story that got “the nod” from workshop, and was nominated by the faculty for Best New American Voices. Given this stamp of approval, it seemed to me some lit mag somewhere should take this story. To date I had sent this story out to 12 places. Granted, one of these rejections was from The Atlantic Monthly (among other luminaries). I had received two “almosts” as well. But as we all know “almost” is simply “no” with a “thanks” tacked on.

Then I was ASKED about this story (in particular). Dee McNamer at Montana used to call getting a finished piece published “finding it a home.” While much my work goes in the RIP file on my desktop, I also keep a file of those stories I believe deserve adoption. This poor, orphaned story had languished in a folder surrounded by twenty other versions of itself for two years.

Now, “solicited” does not mean “guaranteed publication,” although I suppose this changes from mag to mag, and depends on the writer. A new J.D. Salinger story I’m guessing = automatic yes. At NOR, solicitation does not guarantee publication. I happen to know that the editors have asked colleagues for work only to find themselves in the awkward situation of turning it down. This, apparently, has created some major AWP dagger eyes moments. Imagine fancying yourself an “established” writer only to be told 1) your work didn’t cut it and (worse) 2) you aren’t famous enough that someone would publish it anyway.

As a newbie I didn’t have huge expectations. But I hoped. So I sent off my story that has a baseline narrative about a young woman who struggles with a possible pregnancy juxtaposed by a quirky, wordplay thru line, only to find out that the editor had just accepted a story that has a baseline narrative about a young woman who struggles with a possible pregnancy juxtaposed by a quirky, wordplay thru line. Scooped.

P is for Publication!

I review Anthony Bourdain’s Medium Raw for Alimentum here.

For those who don’t know, book reviews are a nice way for an emerging writer to get a few publications. The Unattainable Quarterly might not give your short story the time of day, but they will probably publish your review. (I admit, this CV line might apply more to those of us striving for teaching jobs, than writerly fame.) Anyway, it’s a way to enter the conversation, and if your cover letter looks like West Texas, it’s a publication credit.

It’s also satisfying to be given an assignment, finish it, and then see your byline. All that workshopping can feel like a giant circle. I have stories I’ve been strokin' to the east and strokin' to the west for years now. Years! When editors actually need copy, they give slash and burn feedback to get your piece ready to go. What I’m saying, is that it’s a different experience writing for the express goal of publication, versus writing to write and hoping someone will like it.

Perhaps now you are wondering how you get someone to publish your review. I’ll be honest, mine were hook-ups from professors. So if you are in school or know someone involved with a lit mag, then ask them. I bet a cold query would work, too, though. I would present a few ideas for book reviews (to show you know the publication), and then ask for a suggestion. Chances are the editor has a pile of books stacked on the desk.

Publication Strategies

A few weeks ago, as I opened another envelope addressed to myself, a dim memory rolled around in the back of skull. I remembered that I used get published regularly before my MFA. I wrote for Creative Loafing, mental_floss magazine, and quite a few zines that if we tally the numbers, have a much greater circulation than any given Suede-Elbow Jacket Review. Sure, I yearn for the word "Quarterly" in my writing CV. I have literary fiction short stories that (I hope) belong there. But in the meantime, why not write for some of the markets I used to approach?

In the interest of pimping, shameless self-promo, etc.

http://www.defenestrationmag.net/2008/10/taking-sexy-back-fashion-tips-for-crime-fighters-from-the-law-and-order-svu-team-by-kelly-ferguson/